Past events

Blue pixel clouds on a hot pink sky.

A panel conversation on the implications of the digital on art history practice and pedagogy.

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A svayambhhu (self-manifested) linga

A lecture on the hierarchies underpinning museums new data systems.

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A tall tent.

Gerald McMaster, Kent Ayoungman, Floyd P. Favel, and Krista Ulujuk Zawadski

A panel discussion about the importance of language in understanding and articulating Indigenous ways of seeing.

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A colourful digital visualisation of the New York Stock Exchange.

Today, growing concerns with climate change, energy scarcity, security, and economic volatility have turned the focus of urban planners, investors, scientists, and governments towards computational technologies as sites of potential salvation from a world consistently defined by catastrophes and “crisis”.

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Indian Prime Minister Narendra Modi inspects a sculpture, while holding a catalogue

Tue, 2 May 2023

2:00PM

Rethinking Repatriation

Kavita Singh

A workshop unpacking the current discourse around repatriation, and the complex politics that underpin it.

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A neon sign of an eye with a line through the centre.

Nick Mirzoeff

White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing.

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Tiles of book covers for 'UnAustralian Art' and 'Ends of Painting'.

Fri, 21 April 2023

6:30PM

Book Launches (Melbourne)

 Rex Butler & ADS Donaldson, UnAustralian Art: Ten Essays on Transnational Art

David Homewood & Paris Lettau, Ends of Painting: Art in the 1960s and 1970s

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A large outdoor metal sculpture.

Gerald McMaster, Postcommodity, Harald Gaski, and Leroy Little Bear

The first event in the 2023 series, Indigenous Ways of Seeing, which is co-presented by the Power Institute and the Wapatah Centre for Indigenous Visual Knowledge.

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An illustration of the Gwalior Gateway as the Entrance to the Courtyard of the Indian Palace for the The Colonial and Indian Exhibition of 1886.

A lecture on the hidden histories of museums.

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Headshot of Tina Campt.

Fri, 2 December 2022

12:00PM

The Afterlives of Images: A Correspondence

Tina Campt

The fourth and final program in our 2022 series Image Complex, which introduces new scholarship on the way visuality shapes the history and politics of identity, technology and imperialism.

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