![A painting of space](/sites/default/files/styles/wide/public/2023-08/PW1961.347_Recto_CM.jpeg?itok=Y2ctGoRh)
Welcome to the Power Institute.
We are a Foundation based at the University of Sydney dedicated to understanding the visual world, through art and visual culture. We support research, publish texts, and organise events.
JW Power, [Untitled], c. 1938, Chau Chak Wing Museum, PW1961.347.
Publishing
Chinese Toggles: Culture in Miniature
By: Shuxia Chen and Min-Jung Kim
$49.95AUD
This book introduces the understudied cultural artifact of the Chinese belt toggle, known as zhuizi (坠子). Similar to their better-known Japanese counterparts netsuke, these small carved ornaments offer a rare glimpse into everyday life in early modern China. Toggles were a feature of traditional Chinese garments from the 17th century but were scarcely collected. A collaboration between the Powerhouse Museum and Chau Chak Wing Museum at the University of Sydney, this publication reveals one of the world’s largest collections of these extraordinary objects.
Ian Burn: Collected Writings 1966–1993
By: Ann Stephen
$49.00AUD
Ian Burn has been described as many things: an activist, a trade-unionist, a journalist, an art critic, a curator and an art historian—or, as he once described himself in a moment of self-deprecating alienation, ‘an ex-conceptual artist’. Edited by Burn’s friend, frequent collaborator and eminent art historian, Dr Ann Stephen, this volume brings together 49 pieces of Burn’s own agile and expansive writings alongside a vast collection of his artworks. The collection concludes with reflections on Burn’s life and work from prominent figures and past collaborators in the form of memorial lectures.
Yhonnie Scarce: The Light of Day
By: Edited by Clothilde Bullen with contributions by Timmah Ball, Kelly Gellatly, Natalie Harkin and Tamsin Hong
$75.00AUD
Edited by Clothilde Bullen, with essays by Timmah Ball, Kelly Gellatly, Natalie Harkin and Tamsin Hong, this volume is an image-rich, comprehensive survey of internationally acclaimed Kokatha and Nukunu artist Yhonnie Scarce.
Events
Wed, 24 July 2024
6:00PM
Screenic: Politicised Writings on Being Screened
Philip Brophy, Helen Hughes, and Ivan Cerecina
Wed, 31 July 2024
4:00PM
Reading Group: Visions
Wed, 7 August 2024
6:00PM
Black Portraiture from the Streets of Dongducheon: Rethinking Race, Intimacies, and the Visuality of the Korean Camptown
Jung Joon Lee
Thu, 15 August 2024
10:30AM
Visions: A forum on the contemporary art, science and politics of seeing
Components
Components